Christ Carbò ... Nice
art critic of the Christ Carbò by Andrea Antoniazzi
Carb Christ is summed up in just a couple of feet walking above water. The 'above', however, must not be misleading because the Christ of the pictorial tradition, here - in this operation - has been virtually abandoned and the originality of the brush, then, becomes just this oversight, it does not want to take such perspectives imposed by the doctrine. We are facing an underwater vision of Jesus, from below, from the sea bottom, the painter heads straight to the soles of the feet, base of the great Christian miracle.
is the Christ of the imagination, the game, which blends natural element to prove that this man is not only a miracle can not walk up a huge bluish liquid but it is nature itself, a creation which man, also as an atheist, log on as a category of existence. The God entered history, wearing the role of man, has a courage that others do not, because, in addition to his miracles, near children, wants them to himself, considering the company of your travel early Earth. And this childhood consecrated by Jesus is clear in the world play, playful, innocent of colors and a few objects that surround the Christ. Because Christ is within - carefully - not just a couple of feet walking on water. The operation is not cutting Carb: Do not borrow the character celebrated by the Catholic tradition to forget the body, leaving only a couple of canvas prints. Christ is there in all its character. It not only saves a grisly beheading on the contrary - that sees the place of feet in front of the guillotine at the head of the art - but it continues its journey in a water driven by colored shapes dreams. Water will stain white as a sign of innocence, the historical tradition and Christian tradition on one side and a-historical nature and the other (so to speak that pervades the being irrespective of his religious sense).
The painting is in fact accessible to all: anyone can enter, even without faith, without knowledge of theology, including claims of Revelation. And the size of the operation is right here: in escaping from any right-minded bigotry of the province, looking to Christ Super Star with the eyes of the man who remembers his childhood and his memories untouched. The background becomes an underwater bedroom, where the artist invites you to face the Christ of the New Testament, that simple, humble, and is not wearing a heavy suit of the Church.
is one bedroom with floor and wall, which generates, in its construction, a mismatch of geometric planes: s'incastonano feet in the middle turning the big yellow dots in a imaginary vanishing point, what we need to dream - but this only happens within us and the canvas, then, the bridge gets really fantastic.
art critic of the Christ Carbò by Andrea Antoniazzi
Carb Christ is summed up in just a couple of feet walking above water. The 'above', however, must not be misleading because the Christ of the pictorial tradition, here - in this operation - has been virtually abandoned and the originality of the brush, then, becomes just this oversight, it does not want to take such perspectives imposed by the doctrine. We are facing an underwater vision of Jesus, from below, from the sea bottom, the painter heads straight to the soles of the feet, base of the great Christian miracle.
is the Christ of the imagination, the game, which blends natural element to prove that this man is not only a miracle can not walk up a huge bluish liquid but it is nature itself, a creation which man, also as an atheist, log on as a category of existence. The God entered history, wearing the role of man, has a courage that others do not, because, in addition to his miracles, near children, wants them to himself, considering the company of your travel early Earth. And this childhood consecrated by Jesus is clear in the world play, playful, innocent of colors and a few objects that surround the Christ. Because Christ is within - carefully - not just a couple of feet walking on water. The operation is not cutting Carb: Do not borrow the character celebrated by the Catholic tradition to forget the body, leaving only a couple of canvas prints. Christ is there in all its character. It not only saves a grisly beheading on the contrary - that sees the place of feet in front of the guillotine at the head of the art - but it continues its journey in a water driven by colored shapes dreams. Water will stain white as a sign of innocence, the historical tradition and Christian tradition on one side and a-historical nature and the other (so to speak that pervades the being irrespective of his religious sense).
The painting is in fact accessible to all: anyone can enter, even without faith, without knowledge of theology, including claims of Revelation. And the size of the operation is right here: in escaping from any right-minded bigotry of the province, looking to Christ Super Star with the eyes of the man who remembers his childhood and his memories untouched. The background becomes an underwater bedroom, where the artist invites you to face the Christ of the New Testament, that simple, humble, and is not wearing a heavy suit of the Church.
is one bedroom with floor and wall, which generates, in its construction, a mismatch of geometric planes: s'incastonano feet in the middle turning the big yellow dots in a imaginary vanishing point, what we need to dream - but this only happens within us and the canvas, then, the bridge gets really fantastic.
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