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The cost of memory !!!!!

The memory has a cost, and the lives of many innocent people died fighting against a mafia system that threatens to shake ever more in its meshes!
We reject this system ....
must report ....
must create a strong partnership between citizens and the state because, together, we fight crime ....
But, alas, until the mob will sit on chairs in the parliament and senate, there is no hope!
The only hope is to fight ....
overturn this system ....
overturn this state ....
not votiamoli ....
throw her .....
do not win the patronage, fertile ground for crime policy .....
Reclaim our rights, but also begin to meet our obligations ....
Only with honesty and total rejection of the crime in all its forms (from the ticket on the bus do not steal the money) we can defeat the mob!!
The Mafia is a mountain of shit !!!!!

The memory has a cost
17/12/2007 10:24:20

Logo Free
A documentary about
La7A from Wednesday 19 to December 23 on LA7 and MTV Italy will broadcast documentaries, talk shows dedicated and made special thanks to the collaboration of many young people involved in first-person stories of mafia.La memory has a rib first broadcast will be devoted to the mafias that will broadcast on LA7, Wednesday 19 at 22.30, a preview exclusively, the documentary "The memory has a cost," produced by H24 and by the offenders and Roberto Mauro Parissone Burchielli, Ilaria Alpi Award winners this year of the film will have an extensive programming on both networks to give more opportunity to view viewers. In addition, therefore, to be broadcast Wednesday, December 19 "The memory has a cost" will air again on LA7 Saturday, December 22 at 20:30, and on MTV Italy, Friday, December 21 at 23.00 and Sunday, December 23 at 15 17.00.A years after the massacres of Capaci and Via D'Amelio at what point is the fight against the mafia? Those who continue to remain at the forefront every day? Roberto and Mauro Burchielli Parissone, the two authors H24 and directors already winners of the Ilaria Alpi, LA7 back up with a documentary film in direct contact on the places that were the scene of the tragedy. The same places where today but who still manages to have hope: the association "Libera. Associations names and numbers against mafias" Don Ciotti, but also the relatives who have lost loved ones under the blows of a real and war that has gone on for too many years. A film that demonstrates the renewed vitality and social antimafia, including new images of the massacres of '92 and the one of Via Carini in which he lost his life the General Dalla Chiesa, he travels back in search of a memory Fars collective know.

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Press!!

If, as everyone now, you have trouble with Christmas gifts because salaries are too low, come to london and we will offer free blacks bags to give to all your friends and family!!
now the situation is this .... This will put the Christmas tree in the trash ....
there is no place for gifts!! (Nor money!)



waste, block towards the total 100 thousand tons to be disposed
Written by Robert Fucci from the Republic of Naples, 12/18/2007

The feeling is a bit 'of the artichoke. The core of the city, from the most urbanized ones most valuable tourism is protected. When roaming through the Decumani has to deal with the hustle and bustle of San Gregorio Armeno, the row of spectators out of the famous pizzeria in the wrong end of Clinton and the ever-built cars to make a lid to San Domenico Maggiore. All in all circumstances even the discreet Health. But as soon as you exit the heart, where the leaf is wider and bigger way, the garbage starts to eat the city.
enough to look out onto Via Santa Teresa to be buried in rubbish bins. "It is a weeks so that we are, "complains Mrs. Luisa, keeper of a stable of 130 families next to the Church of Santa Maria del Soccorso. Its gatehouse is actually now a sentry box from which you mount the lookout: "Just a couple of days and the trash gets inside the park." A few yards away a newsstand contesting every inch of the sidewalk to a chain of garbage then rode well within a goal. The manager finds the strength to show off popular wisdom: "At least it's raining and cold, otherwise ... I'm in the wind, I would imagine in what conditions. " Even the bus stop, on the platform, waiting passengers look suspicious than waiting for that plexiglass blob of garbage invading the lay-by. Now you deal with waste. In the more distant suburbs, to the High Plains District, back nightmares of the worst days, but already one of the Vomero el'Arenella takes a node in the throat. Symbolic scene in via Simone Martini: among the many mountains of garbage everywhere, a besieged the pharmacy Cancemi. "I'm two years that is the case - complaining inside - We have written several times in the district, has never happened at all." Enter an elderly customer and bitter smile: "Doctor, we are in the garden of Europe." Then he turned to cheers: "The Neapolitans should do like me: I charge the junk I have not paid. From the Vomero to Fuorigrotta: in Via Marino bags to prevent cars from entering parchi.Di rubbish talked about yesterday is also the Russian elementary school, where the third municipality yesterday held a meeting of the Board with the prefect Alessandro Pansa. Legality in the round in the confrontation with the students, with guidance from the helmet to the collection. And, specific questions about why the crisis, Pansa explained the situation, especially aggravated by the fact that no one wants to host the sites. Situation in fact close to the total ban, because then enter Giugliano means less than expected and this bloats the Cdr that do not accept the material gathered in the city, one Caivano was closed nearly all day yesterday. There is added bad weather: the plant Casalduni is virtually unattainable, Pianodardine stops repeatedly, in Serre downloading 2000 tons per day instead of the planned 3500. Thus, while in Naples there is down from the 3,000 tons by road, the paralysis elsewhere is leading to the 100 000 tonnes lying on the ground or in the transference of sites throughout the region. So last night at the offices of the mayor Rosa Russo Pansa rose Iervolino, the Provincial President Dino Di Palma and the Region Antonio Bassolino: "We need urgent meeting - said it - to get the maximum synergy and shared responsibility by all around the prefect Pansa, without losing even an hour. "It seems a desperate appeal to the government and local authorities. There is also a mayor, Vincenzo Cuomo of Portici, which repeats the name of Anci Pansa 'collaboration for any solution to the problem of providing certainty in the timing, the mode of action of the police and to cover the necessary costs. " But meanwhile the Casalduni colleague, Raymond Mazzarelli, although threatened with removal from the prefect of Benevento, secures the site of San Fortunato and awaits another verdict of Tar on his appeal against the decisions of Pansa. And on Thursday in Giugliano everyone expects the closure of the King's Tavern

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Mafia and politics!!

footprints mafia!!
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Napule is ...!!!

Napule is a thousand colors, a thousand fears, is the voice of children who do not make you feel alone. ..

Naples is a dirty paper and no one cares, and everyone expects the luck ...

Naples like a dream, the whole world knows, but nobody knows the truth!

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ambushes in the middle ... Napule is!!

blood still wet earth ...
still shots and screams ....
Again dreams of glory of a young Camorra (boy system) are cut off by a gunshot ...
Once again an innocent victim of guilt for her ...
Napule is .....
And anyone who wonders why a young man of 20 years is in the system ...
Nobody asks why risk his life knowing that a Camorra written two destinies:
or foot at the door ....
O behind bars ....
possible that for these children there is an alternative ...
who prefer the certain death to a life to live all the way!
Napule is ....

( Here ) Article Republic of Naples

12/12/2007 21:07
KILLED IN AMBUSH IN NAPLES, WOUND THROUGH

NAPLES - A man was killed and a Through 26 years of age was seriously injured - according to the first news of the police - in an ambush this evening via Health in Naples, opposite the church of San Vincenzo.
Injury, smear, the victim's wife, Pasquale Conte, 20 years old, already known to law enforcement. Pasquale Conte San Gennaro died in the hospital where he was hospitalized along with his wife and his passing. Moments of tension in the health center with relatives of victims who have flocked en masse in the hospital.

E 'PREGNANT WOMAN SERIOUSLY INJURED IN NAPLES - It' Through the pregnant 26 year old seriously wounded in an ambush this week in Naples in which he was killed a man of 20 years, Pasquale Conte, according to the police, it is Misso clan affiliated with the . The woman was hit in the side. The doctors at the hospital where San Gennaro was admitted have not yet spoken on the effects on pregnancy. Earl's wife was slightly wounded in the hand instead. Most likely, but the police are still working to reconstruct the dynamics of stalking, Earl and his wife were aboard a motorcycle when they were approached by gunmen. (ANSA )

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"I think this is a song of Hopes !!!!"

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The true rock .... Without imagination, intuition, madness and a little irreverence .... Let us take up this stairway to heaven by the notes of the guitar great Jimmy Page .... Close your eyes and go ....

Tonight in London 18000 lucky (and wealthy, judging from what some have paid the ticket) will attend the musical event of the year ... Their reunion at the O2 in London!! Two hours that will bring the clock back more than twenty years!

Shit I would like to be there too .....

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Ecomafia and ecoindifferenza!

No one talks about ...
None ...
not a journalist, not a Tg, not a radio ...
People are dying and the policy closes its eyes!
The Camorra is spreading and we are all involved .... North, south, everyone!!

ecomafia The screen

the public and the critics of the Turin film festival liked it. Now the authors hope to bring "Biutiful cauntri" in all rooms "to transform the emotional involvement of so many into action." Interview with Peppe Ruggiero / Download the promo

MARIA GIOVANNA BOLOGNINI

is a good start for the documentary "Cauntri Biutiful" drama about the illegal traffic of waste in Campania. In competition in the Italian section of the Doc Torino Film Festival, the film has received positive comments in the public and Campania critica.In a massacre is taking place environment that the authors Esmeralda Calabria,
Land of fuochiAndrea D'Ambrosio and Peppe Ruggiero chose to tell no filters through the faces and voices of the actors-victims, who watched helplessly on the streets of Acerra, Giuliano, Quality and Villaricca the devastation of an area determined to table mafia, institutions and entrepreneurs in the North . A criminal collusion, which entered the collective imagination with "Gomorra" Roberto Saviano, but that has existed for a decade, and now Calabria, D'Ambrosio and Ruggiero agreed to narrate and report through the use of the camera , more comprehensive than the picture of the situation from information supplied on television. "Esmeralda and Andrea thought for a long time in a documentary that the issue of approfondisse ecomafie in Campania - says Peppe Ruggiero - The news took care of each other only at the refuse emergency in Naples, but that information is not spot-treated the whole issue, which instead embraces much more the province. Yet Giuliano is one hundred thousand inhabitants, and is just 25 kilometers from the capital. " [...]
(From http://www.lanuovaecologia.it/ )


Here's the promo ...

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Antoniazza Arte - Numero VII

"Aprons of Pasolini and the Lion Salt"
Art Criticism Patricia Carmo Baltazar Correa

There are artists who finally take over the work of Pasolini shop, consumed the walls a little dirty with the local township, where, in addition to the smell and the sweat poured so much, c ' is only the sense of hard work and dedication to a professional tradition that can be learned only in the field, working directly with their own hands, as is the case of a butcher, a sculptor or an imaginary demon. To keep track of this existence, the enlightened Patricia Carmo has provided each of them, these men of the crowd an apron, not so much as asking for a contribution to the psychological material, biological, deeply sensual. The Carmo builds a beautiful collection of aprons, dirty, used by an operation that has the extraordinary. Buy aprons, white, very clean, in a perfectly virginal state, delivers them one by one to 17 different "artists", politely asks them to use during their daily activities, dirty, but in a completely natural, without any malicious without forcing the scene. Planed to take them at a later time, after their undisputed use by their chosen "model". In this wonderful collection, which has nothing to envy to high fashion or vulgar Milan fashion shows, there is an intention entirely political, not parliamentary politics, of course, but the politics of art, which has no color and especially conflict management. In this, the Carmo demonstrates superiority, not indifferent. Aprons become the paintings of an imaginary collection are paintings, through their work, by men absolutely everything in common and there is an immense dignity. There is a reference to the civilization that continues to live under the ashes of urban asphalt. There is the sense of sacrifice, of waking up early, to humbly dedicate his life to a work often despised or considered on the fringes of the great professions. There is a recall, not least, to an aesthetic work of Democratic absolutely no need for the nines, or briefcase, crocodile to be great workers. But only two simple hands dirty, working on that daily miracle on which depends the survival of ambitions, dreams and families.

Carmo But not all. It is engaged in a process that has led to the discovery of the Trapani salt, every single grain that has been able to lovingly transform and reinterpret in green lines, overlapping each other in a final performance at the turn of the ' genetic engineering and retail trade. Looking away from these segments embedded on a totally white background, are in Carmo not only the symbolism of salt, but a dream of an artistic or DNA barcode, as those used in the identification of products, this seems a little careful observer. Enlightened by the artist, however, are often quite like those green lines do not call or extravagant manuals genetics, let alone the archiving process of industrial production. It has a purely natural sense this work is the final phase of a mental breakdown and salt graphic element in life through the alchemy of the bravest and the animal "market" natural, that is the lion. This is the bridge crossing salt to the segment, the purification process of nature to the purification of the sign. The salt then is just an excuse for a trip that wants Carmo uncontaminated by any infiltration Symbolist easy to arrive at the island, virgin, pure amazement that his identity is the existence of a mystery.

Andrea Antoniazzi
Rome, 18/11/2007

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Antoniazza Arte - Numero VI

The unusual procession
art critic to the painter Daniele De Carolis

Immersed in a country like Genazzano you can not, even more ingrained in the grip of atheism, do not feel like a small, devout in Assisi, the reference to the jungles of religious feeling, particularly the female character par excellence of the Christian tradition the Virgin Mary. A long-awaited Madonna, that of De Carolis, who used to dealing with religious themes, here engages in a procession reminiscent of the literature Chauser. Typical of the procession, as part of village sociability, is not the distinctness of the individual. Everything merges into a single mass, and desperate ... morbissima a "frame in the frame" in which the mangled corpses, looking for forgiveness and detection, approach to the Madonna of the Roman town, is very close, almost intimidated his stage presence, a theatrical pop, wrapped in an aura illuminatissima, as if to protect it was God Himself with the people of his humble peasants. Our Lady of
Genazzano is a hymn to the spiritual devotion to a country where the old, with absolute good taste, still dressed in black, waiting outside the door and the arrival of death. While their husbands killing time in the countryside or the tavern in the square, where you can sip wine that intoxicates without ubricare. Among the beautiful nymph of Bramante, and the Colonna Castle, is situated just at the moment of production of De Carolis, crucify that sometimes, other times like this, widens his eyes on the size of most people Pasolini, farmers in those ashes on which each of us would be reflected, at least one time in their lives to discover a truth almost primordial, the prehistoric existence, in which apart from themselves, there is only one heaven to which way to turn in the hope that something can change. There is no Christianity in this painting, ecclesiastical or high commissions. It is a beautiful picture because quite naturally, arise, away from those nasty praise of the faith that only hides most of the time perverse interests. De Carolis
's painting is a quiet bath, of souls who have already abandoned their bodies, to enjoy without effort to a world that he, the God of the picture, the painter, wants to cease all done, mystical, without intermissions.
is the people who wants Madonna wants truth as daily, to meet the many moments that make up the life of a man. From raising children when the kitchen: after all, in a country like Genazzano, everything has to have the flavor of the sacred.

Pictutres Of Europe Wax

Antoniazza Arte - Numero V

The human infant
art critic to the painter Daniele De Carolis




Accustomed as we are to see Christ crucified, in poses that border on sadism, finally we find the same theme - that of the Crucifixion, so dear painters - reinterpreted. To do this is Daniele De Carolis, young and emerging artist, of Italian origin and brilliantly at that expatriate in Barcelona. De Carolis wants the Crucifixion, but do not want either Christ or the Cross. They want to recover, but, gesture, idea, posting almost artistic body in the air. And this desire leads to the end, to turn it into an illusion. Why is not the Crucifixion, but a child shapes boterianamente swollen, which can not be defined even hanged. It is a human infant, through a cloth, long, straight, rough, simbolicissima a beam of fabric, which evokes the death of Christ. The human infant tends to lift your feet and legs, as if they would not know anything about the world, and its too easy everyday life. This child, deceptively crucified and hanged, is the God of modernity, is what Christ would happen if he died now and not two thousand years ago. It would be a child, perhaps in Africa, the AIDS victim, or an Indian left in the bank of a river, born sick sick and died, with the legs already marked by evil ... feet tied, but not by a rope, but by ' inability to walk, and hands not crucified, but open, full of hope, the only thing that remains the man when he no longer knows where look: that the sky ... the sky, however, that the child does not look at De Carolis does not keep. His attachment to the flesh is such that even in the face of certain death, continues to contemplate with the eyes closed, these atoms of diseases and dirty capitalist revenge. De Carolis has the human infant, instead of the wooden beam, hard, hard to bear, now damp with regret, the shroud of Christ, which is just what it traverses, in the neck and groin, and that the beatific, makes it extraordinarily divine in its apparent proximity to death. The human infant is a little Christ, Christ, perhaps of all the atheists, especially those angry with the world, those who think that Jesus, if his is the son of God, can not but turn our gaze to the ground and his men, especially to his enemies, to expose the cowardice and the ease of which are filled with pride.
We wanted a picture so in a youth production. A distance of time, you discover how young Daniel, with this work, full of humility, has left a mark, even the sign of a mystery, at least for a second he had the ability to cross and make them feel all good and the evil that carries within it the Divine.

Carolina Biological Laboratory 4

Antoniazza Arte - Numero IV

I dream of fossil Valentina Carini
At the first Italian solo exhibition - curated by art critic Andrea Antoniazzi

difficult to find a young painter in his biography and read so much wealth, diversity. In the case of Valentina Carini, in fact, it's hard not to depart from his life, from his experience, one that is not only a passion for painting, but almost Calvinist dedication to work, the construction of a jurisdiction, in addition to the pure and simple growing interest. It reads, in fact, the Carini:

"after graduating from DAMS in Bologna address show starts working for television working as a director for Tele Montecarlo 2 to Florence and then to London for MTV. After a stay in New York as an assistant artist David Baskin, assistant Louise Burgeois for over a decade, began to study painting at the Central Saint Martins College of Art & Design in 2004 and obtained a BA Hons in Fine Art
Winner Kate Burton Award for painting at the University of The Arts in London, he returned to Italy where he continued to paint and participated in several exhibitions at the Gallery and Palazzo Ronchini Spring in Terni in 2005 is also present with some of his works to Arte Fiera in Bologna. "

critics, I invite the young artists also often write in to take a leaf from her, I mean from Carini, as a biographical approach. The painter can not just sit at home waiting for the arrival of a thrill to be transferred onto the canvas. The painter must study and to study much. Should study more the economist and lawyer, more than anyone else, perhaps even of the poets. Because the painting is an artistic act sexually, even when introduced religious subjects, is a sensual domination of the canvas, a moment of ecstasy that, in the production of the painter's mind must govern absolutely, at least away from his unconscious. Monitoring and ensuring the Carini certainly not lacking, indeed.

His canvases seem to propose a topical primordial landscape, where to look disorganized geometry shapes. It is a game of childhood memory, relived in his heart and re-presented in adulthood. The fossil Carini painted dream, broken memories, almost invisible. Paintings are very difficult to photograph. It is as if the artist uses a thin plaster to sculpt the painting, no mess, no smudges, but reporting on it just a feeling of foreboding, of something that is going to happen. In many of these paintings is a sense revived totally organic, almost physical-chemical in the world. In his paintings - easy appreciation even by a more oriented science and art - you can see everything from an explosion at a small molecular carefully arranged rock garden.

Fossils Carini's dream - so I like to call its atomic scale - are very strict on the canvas like a topographical arrangement. These paintings are small city of dreams, dream big, blooming absolutely enchanted by a mysterious, primitive, unfathomable. To paint, is very fragile soul and feel and see. But such is its weakness, as is his preparation, his dedication to academic. It is a daily commitment to creating genius the humility of the study, and the ongoing implementation of this before anything else, the Carini is an example, a reference model.

Even in his most colorful, its fossils - fossils dream - still live scattered along surfaces interrupted but never embedded, into each other. As the beautiful ball above recast, bore her to a forest of geometrized forms, a full moon split in two halves, almost a hemisphere Earth slowly rotating around its axis spreading around himself a gloomy darkness. In this sphere nestled among the branches, there is a sign of hope, a disappointment that long in coming: the world of Carini, in these veins continuously married his big hand, end up being the testimony of an artist who already has been a little architects of the Mystery.

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Antoniazza Arte - Numero III

Collection Necrostar
art critic to the Collection of Stephen Necrostar Night by Andrea Antoniazzi

"I'm not the silent spectator of strange moments and even the ecstasy of an ending that does not arrive. I'm a wide open under immense guardian of my secrets, I am the dead man invites drinking, with me from the other world, a bitter cup of life along that end that no one knows. My painting is a strange clatter of events, long holes that never exhaust the curiosity of those who with his rough hand me the painting. Necrostar are a gallery of monstrous echoes that of the cave of death still speak. All my heroes are famous, yet no one is silent, yet they are all already buried under the ground in the world. And I, I'm just a huge picture, I'm talking to my wall hanging, waiting for the order of who's watching me. "


Necrostar If it could talk, would you say the words I just wrote. In reality, has already been said, to all those who have had the opportunity being for the first time in the history of painting, for a real, I would almost call it methodical devotion mortuary. The collection is the cemetery dinottiana pictorial image, the reconstruction mock photo of a beauty that is no longer simple decadence but true physiological state of existence which has ceased to be such. There is almost a biological image, a medical science that flows through the canvas. Marylin Monroe finally slips from bursting beauty of the buildings at one end by Andy Warhol that perhaps makes it more human, closer to us, his face is soothed by the absence of each breath, the smell of quell'aldidà where success is decided by God alone and not the stupid human applause. In the land that nobody knows where the soul of everyone, abandoned the intrusiveness of a body intended to collapse, huddles close to the Creator to snatch a bit of energy, Truth. And this is not a simple lesson of faith, but a trust devoted to the humanly ricoscenza the presence of another in our lives, whoever he is. In the paintings dinottiane, this Other is the provocation, the observation of a cruel path no longer human but simply that atomic to molecular nothing that kills every body to give rise to a new life. What if we are not bags of skin hanging from something within us cries but does not You can never touch? Subtle soul, which, if any, if still alive, can only be moved in front of a coffin that becomes the only raft back to God?
dinottiana Death is a race of heroes, suspended between the last big hello to the world, that their eyes off, and anxiety, underground, mysterious want to be reborn. In this gallery of silent respect, played on the passage to another world, waving figures sealed, stuck to the canvas with the exact same severity of a collector of insects.
at night is not the obvious love and it shows. In its operation, meets the ghost of the other in his capacity as spirit of wandering, lost soul ... some wearing the clothes of the warrior and defeat the end of their nightmare, for others still, it travels in the canvas with a sweet pair of wings resting on the shoulders es'avvicina these dying bodies shaking dirty hand of a corpse.
These bodies, hung like sacks of textured burriana memory, are the antechamber of death, not death itself ... represent the omen, the hint of a sad end that is about to fall on man, take him to the ground dreams where the artist, in addition to anything, sees the charm of a mystery.
So bite between Pasolini and the great American star, happened in the grip of the deceased, fell into the vortex of the Great mortal art dinottiana not only lends itself to a long reflection on our end, but before all that happened on his conscience, as the man in the crowd of Poe, they share the exact same shade .

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Antoniazza Arte - Numero II

Christ Carbò ... Nice
art critic of the Christ Carbò by Andrea Antoniazzi


Carb Christ is summed up in just a couple of feet walking above water. The 'above', however, must not be misleading because the Christ of the pictorial tradition, here - in this operation - has been virtually abandoned and the originality of the brush, then, becomes just this oversight, it does not want to take such perspectives imposed by the doctrine. We are facing an underwater vision of Jesus, from below, from the sea bottom, the painter heads straight to the soles of the feet, base of the great Christian miracle.
is the Christ of the imagination, the game, which blends natural element to prove that this man is not only a miracle can not walk up a huge bluish liquid but it is nature itself, a creation which man, also as an atheist, log on as a category of existence. The God entered history, wearing the role of man, has a courage that others do not, because, in addition to his miracles, near children, wants them to himself, considering the company of your travel early Earth. And this childhood consecrated by Jesus is clear in the world play, playful, innocent of colors and a few objects that surround the Christ. Because Christ is within - carefully - not just a couple of feet walking on water. The operation is not cutting Carb: Do not borrow the character celebrated by the Catholic tradition to forget the body, leaving only a couple of canvas prints. Christ is there in all its character. It not only saves a grisly beheading on the contrary - that sees the place of feet in front of the guillotine at the head of the art - but it continues its journey in a water driven by colored shapes dreams. Water will stain white as a sign of innocence, the historical tradition and Christian tradition on one side and a-historical nature and the other (so to speak that pervades the being irrespective of his religious sense).
The painting is in fact accessible to all: anyone can enter, even without faith, without knowledge of theology, including claims of Revelation. And the size of the operation is right here: in escaping from any right-minded bigotry of the province, looking to Christ Super Star with the eyes of the man who remembers his childhood and his memories untouched. The background becomes an underwater bedroom, where the artist invites you to face the Christ of the New Testament, that simple, humble, and is not wearing a heavy suit of the Church.
is one bedroom with floor and wall, which generates, in its construction, a mismatch of geometric planes: s'incastonano feet in the middle turning the big yellow dots in a imaginary vanishing point, what we need to dream - but this only happens within us and the canvas, then, the bridge gets really fantastic.

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Antoniazza Arte - Numero I

dialogue as possible
art critic to still lifes and landscapes by Bruno Pasqualucci by Andrea Antoniazzi

This remarkable painter fills the canvas, emptying his soul in every color . The composition of the palette does not allow any kind of choices, "everything has already been decided", it read the pictures, as actors in a show devoted to the natural death and the lost look on one end already consumed. Pasqualucci defends the death of a true champion of defeat. The body dies and therefore deserves all secular, completely external to the logic of worldly meaning. The body dies and becomes part of the living to be reused as raw material to give life to other lives. The body that dies is a pretext for dialogue exists, where death is really the end of it all just to those who lived it. For the others, which also means the non-living, the body remains in the form of a body to give the ultimate gift of nature as our presence in the world. Pasqualucci hunting dialogue possible, the universally acceptable and universally cause heartbreaks: one dies and there is no other. To the world, however, continues to be something and it's that box of meat, in the decomposition, finds its way back to the living.

Pasqualucci angel of the hearth is a world of resignation that he wants done, sometimes tragic, as in the landscape where the sky turns black and the horizon is painted a plain white ... paradoxical, then, very flat, can only be brought forth as a puzzle un'onirica resignation. The birds eventually returned to the eye of the observer as volumes are stuffed by the brush, brush a heavy, difficult, challenging his death from his real claim to immortality. And here the art, no longer the painter.