Pokemon Soul Silver Hackers

Antoniazza Arte - Numero VII

"Aprons of Pasolini and the Lion Salt"
Art Criticism Patricia Carmo Baltazar Correa

There are artists who finally take over the work of Pasolini shop, consumed the walls a little dirty with the local township, where, in addition to the smell and the sweat poured so much, c ' is only the sense of hard work and dedication to a professional tradition that can be learned only in the field, working directly with their own hands, as is the case of a butcher, a sculptor or an imaginary demon. To keep track of this existence, the enlightened Patricia Carmo has provided each of them, these men of the crowd an apron, not so much as asking for a contribution to the psychological material, biological, deeply sensual. The Carmo builds a beautiful collection of aprons, dirty, used by an operation that has the extraordinary. Buy aprons, white, very clean, in a perfectly virginal state, delivers them one by one to 17 different "artists", politely asks them to use during their daily activities, dirty, but in a completely natural, without any malicious without forcing the scene. Planed to take them at a later time, after their undisputed use by their chosen "model". In this wonderful collection, which has nothing to envy to high fashion or vulgar Milan fashion shows, there is an intention entirely political, not parliamentary politics, of course, but the politics of art, which has no color and especially conflict management. In this, the Carmo demonstrates superiority, not indifferent. Aprons become the paintings of an imaginary collection are paintings, through their work, by men absolutely everything in common and there is an immense dignity. There is a reference to the civilization that continues to live under the ashes of urban asphalt. There is the sense of sacrifice, of waking up early, to humbly dedicate his life to a work often despised or considered on the fringes of the great professions. There is a recall, not least, to an aesthetic work of Democratic absolutely no need for the nines, or briefcase, crocodile to be great workers. But only two simple hands dirty, working on that daily miracle on which depends the survival of ambitions, dreams and families.

Carmo But not all. It is engaged in a process that has led to the discovery of the Trapani salt, every single grain that has been able to lovingly transform and reinterpret in green lines, overlapping each other in a final performance at the turn of the ' genetic engineering and retail trade. Looking away from these segments embedded on a totally white background, are in Carmo not only the symbolism of salt, but a dream of an artistic or DNA barcode, as those used in the identification of products, this seems a little careful observer. Enlightened by the artist, however, are often quite like those green lines do not call or extravagant manuals genetics, let alone the archiving process of industrial production. It has a purely natural sense this work is the final phase of a mental breakdown and salt graphic element in life through the alchemy of the bravest and the animal "market" natural, that is the lion. This is the bridge crossing salt to the segment, the purification process of nature to the purification of the sign. The salt then is just an excuse for a trip that wants Carmo uncontaminated by any infiltration Symbolist easy to arrive at the island, virgin, pure amazement that his identity is the existence of a mystery.

Andrea Antoniazzi
Rome, 18/11/2007